Hello lovely,
If there’s one woman who could make a battered pair of boots, a fabulous fur coat and a slightly crumpled silk blouse look like the most desirable outfit in the world, it’s Anita Pallenberg.
One minute she’d be photographed at an airport in a feather boa and a tiny skirt, the next she’d be wandering about in velvet trousers, a chunky belt and a jumper that looked suspiciously borrowed from someone’s wardrobe. And somehow, she always looked fantastic.
Anita Pallenberg was an actress, model and one of the most influential style figures of the 1960s and 1970s. Born in Rome to a German and Italian family, she moved through the artistic circles of Europe and New York before becoming closely associated with the Rolling Stones. She was romantically involved with Brian Jones and later Keith Richards, with whom she had three children. But there’s considerably more to Anita’s story than her relationships.
She appeared in films including Barbarella (1968) and Performance (1970), spent time amongst Andy Warhol’s artistic circle and became a creative influence on the people around her. Her wardrobe was equally fascinating.
Anita mixed masculine tailoring with feminine fabrics, extravagant accessories with everyday knitwear, and beautiful clothes with things that looked as though they’d been worn for three days straight. I think that’s why her photographs remain so compelling. They’re a reminder that dressing beautifully doesn’t necessarily mean looking particularly tidy.
So, if you’re rather fond of velvet, dramatic coats, a good pair of boots and a wardrobe with a slightly rebellious streak, you’re going to enjoy this one.
Anita Pallenberg was an actress, model and one of the most influential style figures of the 1960s and 1970s. Born in Rome to a German and Italian family, she moved through the artistic circles of Europe and New York before becoming closely associated with the Rolling Stones.
She was romantically involved with Brian Jones and later Keith Richards, with whom she had three children. But there’s considerably more to Anita’s story than her relationships.
She appeared in films including Barbarella (1968) and Performance (1970), spent time amongst Andy Warhol’s artistic circle and became a creative influence on the people around her.
Her wardrobe was equally fascinating.
Anita mixed masculine tailoring with feminine fabrics, extravagant accessories with everyday knitwear, and beautiful clothes with things that looked as though they’d been worn for three days straight.
I think that’s why her photographs remain so compelling. They’re a reminder that dressing beautifully doesn’t necessarily mean looking particularly tidy.
So, if you’re rather fond of velvet, dramatic coats, a good pair of boots and a wardrobe with a slightly rebellious streak, you’re going to enjoy this one.
What Her Style Is All About
Anita Pallenberg’s style sits somewhere between late 1960s bohemian fashion, 1970s rock glamour and wonderfully eccentric vintage dressing. You’ll find many of the ingredients we associate with the era: flared trousers, patterned fabrics, suede, oversized hats and extravagant coats. But Anita had a particular talent for putting them together.
She frequently mixed very different textures. A fine silk blouse might sit beneath a heavy fur coat. Shiny trousers could be worn with a printed jacket, while a rather ordinary roll neck suddenly became interesting when paired with mustard velvet.Her wardrobe also blurred the lines between traditionally masculine and feminine clothing.
Tailored jackets, waistcoats, neck scarves and trousers appeared alongside tiny dresses, satin, feathers and jewellery. The result could look quite theatrical, yet there was usually something relaxed about the way she wore it. One of my favourite details is how rarely everything looks pristine in photographs of Anita. Her clothes have movement, her hair isn’t always perfectly arranged, and her accessories don’t necessarily match.
In a 2001 interview discussed by British Vogue, Anita explained:
“We didn’t have time to change.”
She recalled wearing a satin miniskirt to Stonehenge at dawn after staying out all night. That’s a rather wonderful bit of fashion history, isn’t it? And it explains a good deal about her personal style. Clothes were made to be worn, travelled in, danced in and lived in. They weren’t necessarily saved for a particular occasion.
The Details that make her look distinctive
Texture was everything
Velvet, silk, corduroy, suede, animal prints and extravagant fur were all part of her wardrobe.
She loved a statement coat
Long, shaggy coats and fur trimmed jackets appear throughout photographs from the late 1960s and early 1970s.
Her silhouettes changed with the decade
Mini dresses and fitted jackets gave way to wider trousers, flowing garments and relaxed tailoring, although she continued mixing these shapes throughout the period.
Accessories were rarely an afterthought
Wide brimmed hats, belts, scarves and unusual jewellery often did as much work as the clothes themselves.
And then there was the hair
That blonde fringe, those slightly dishevelled lengths and dark, expressive eyes completed the look.
What her cultural and fashion impact was
Anita Pallenberg was part of a generation that challenged ideas about how women should dress, behave and express themselves. Before meeting the Rolling Stones in Munich in 1965, she’d already spent time amongst the artistic and fashion circles of Rome and New York. Her experiences brought a distinctly international influence to London’s emerging counterculture.
The woman who influenced the Rolling Stones’ wardrobe
Anita’s influence on the Rolling Stones’ appearance is particularly interesting. During the mid 1960s, the band’s wardrobe began moving away from relatively conventional rhythm and blues clothing towards more colourful, flamboyant fashion. Brian Jones and Keith Richards increasingly appeared in scarves, jewellery, dramatic tailoring and other pieces that echoed Anita’s own wardrobe.
In the 2024 documentary Catching Fire: The Story of Anita Pallenberg, Richards acknowledged how much her clothing contributed to his reputation as a stylish man:
“It was because I was wearing Anita’s clothes.”
British Vogue’s examination of the documentary offers a fascinating look at her creative influence on the band. Her friendship with Marianne Faithfull was another important part of the story. Photographs of the two women in the late 1960s capture an extraordinary period of fashion experimentation, with influences ranging from London’s boutiques to travel and counter cultural dress.
From film to fashion
Anita’s acting career added another dimension to her influence. She played the Black Queen in Barbarella and appeared alongside Mick Jagger in the psychological drama Performance. Both films have become valuable visual records of the experimental fashion, beauty and cultural attitudes of the period.
Her interest in fashion continued well beyond the 1970s. She completed a fashion and textiles degree at Central Saint Martins in London in 1994 and maintained connections with designers, artists and the fashion industry throughout her life. Her influence can be traced through later generations of bohemian dressing, particularly the vintage inspired wardrobes associated with Kate Moss and other figures of the 1990s and 2000s.
There’s something rather telling about all this. Anita’s clothing was often discussed more than her work, while her personal life frequently overshadowed her achievements. The 2024 documentary helped bring more attention to the person behind those famous photographs, including her creativity, independence and the difficulties she experienced. And that’s worth remembering when we talk about her as a fashion icon.
Anita Pallenberg Style at a Glance
Anita Pallenberg’s signature style combined 1960s bohemian fashion with 1970s rock glamour. Think flared trousers, velvet, dramatic coats, silk blouses, suede boots, statement jewellery, shaggy blonde hair and smudged eye makeup.
| Style element | Anita’s signature look |
|---|---|
| Fashion era | Late 1960s and early 1970s |
| Silhouette | Mini dresses, flares, fitted jackets and relaxed tailoring |
| Colours | Cream, chocolate, black, mustard, tobacco brown and metallic tones |
| Fabrics | Velvet, silk, suede, corduroy, satin and fur |
| Outerwear | Fur trimmed coats, shaggy jackets and tailored coats |
| Shoes | Knee high boots, ankle boots and metallic sandals |
| Accessories | Wide brimmed hats, large belts, scarves and bold jewellery |
| Hair | Blonde bob or shoulder length cut, heavy fringe and natural movement |
| Makeup | Kohl lined eyes, soft smoky shadow and understated lips |
| Overall Mood | Bohemian, slight decadent and gloriously individual |
Key wardrobe pieces to recreate Anita Pallenberg’s style
You don’t need an enormous wardrobe to capture Anita’s look. A small collection of interesting pieces will get you surprisingly far.
1. A Statement Coat
Probably the most recognisable part of her wardrobe. Anita was photographed wearing shaggy fur coats, fur trimmed jackets and beautifully tailored outerwear. Look for a vintage faux fur coat, a suede style with contrasting trim or a long wool coat with an extravagant collar. A chocolate brown or cream version is particularly useful, although leopard print is another excellent choice.
2. Flared or Wide Leg Trousers
Anita wore everything from pale flares to printed trousers and luxurious velvet. For everyday wear, start with chocolate brown corduroy, dark denim or cream flares. If you fancy something a little more adventurous, try mustard velvet or a subtle animal print. The important detail is the shape. Something with a fitted waist and a little movement through the leg works beautifully with her favourite jackets.
3. Silk Blouses and Romantic Shirts
Anita had a particular fondness for blouses with character. Think neck ties, ruffles, wide sleeves and soft, fluid fabrics. A cream or ivory blouse is a good starting point. Wear it beneath a tailored jacket or tuck it into velvet trousers. And don’t worry if it creases a little. A stiff, overly formal shirt wouldn’t have quite the same charm.
4. Tailored Jackets and Waistcoats
Look for vintage blazers, cropped jackets, corduroy waistcoats and anything with a slightly masculine cut. Anita often balanced these structured pieces with softer fabrics and jewellery. A second hand men’s jacket can work beautifully, particularly when the shoulders aren’t too exaggerated.
5. Suede or Leather Boots
Knee high boots were a staple of late 1960s fashion, while ankle boots work particularly well with the wider trousers of the early 1970s. Brown suede, black leather and a comfortable stacked heel are all good options. You’ll get more wear from a pair you can actually walk around in than anything that looks marvellous but leaves you limping home.
6. Hats and Head wear
From floppy hats to decorated caps and feathered designs, Anita certainly understood the value of an interesting hat. You don’t need to wear one every day, but a wide brimmed felt hat can completely change the mood of a simple outfit.
7. Belts and Jewellery
Anita certainly knew how to make the most of her accessories. Wide leather belts with chunky buckles were a favourite, often worn with trousers or cinched over a jacket to add a little shape. She also had a taste for unusual jewellery, from antique style pendants and layered necklaces to stacks of bangles and gold or silver rings. And let’s not forget the scarves. Long paisley or geometric prints, loosely tied around the neck, could make even the simplest outfit look rather fabulous.
5 Anita Pallenberg Outfit Recipes Inspired by What She Actually Wore
Rather than creating five vaguely 1970s outfits and calling them Anita inspired, I’ve looked at photographs of clothes she genuinely wore. Each recipe starts with a documented look, then adapts it into something you could wear today.
Outfit 1: The Everyday Velvet Look, 1973
Perfect for: A Saturday wandering around town, browsing vintage shops, coffee dates or everyday errands
The original outfit
In a photograph from 1973, Anita is pictured walking with her young son Marlon, wearing mustard coloured crushed velvet trousers, a ribbed roll neck jumper, a brown jacket and well worn boots.It’s one of my favourite examples of her everyday style. Nothing is particularly extravagant on its own. The magic comes from the combination of colour and texture.
The outfit recipe
- Mustard, ochre or rust coloured velvet trousers
- A beige or camel ribbed roll neck
- A brown or taupe casual jacket
- A wide leather belt with a rounded buckle
- Dark brown ankle boots
- A soft leather or suede shoulder bag
How to wear it
Start with the trousers. I’d look for a straight or gently flared leg rather than anything excessively wide. Add a fitted roll neck, tuck it into the waistband and finish with a chunky leather belt. Choose a jacket that finishes around the hips, then add simple ankle boots. The colours do much of the work here, so there’s very little need for extra accessories. For a less adventurous version, swap the velvet for brown corduroy or dark denim.
Beauty finishing touch: A soft fringe, a little brown eyeliner and your hair tucked behind one ear.
Outfit 2: The Fabulous Fur Trimmed Autumn Look, 1968
Perfect for: Autumn walks, Sunday lunches, shopping trips and those days when you want your coat to be the outfit.
The original outfit
On 24 October 1968, photographer Larry Ellis photographed Anita sitting on stone steps wearing a tailored jacket with a dramatic fur collar, pale flared trousers and boots. Her straight blonde hair and heavy fringe give the whole outfit a wonderfully relaxed appearance. It’s a particularly good example of how she could make quite structured clothing feel informal. And if you’ve been admiring the return of 1970s inspired outerwear recently, this photograph deserves a place on your mood board.
The outfit recipe
- A brown or charcoal wool jacket with contrasting faux fur trim
- Cream or ivory flared trousers
- A fine dark knit or roll neck
- Brown leather ankle boots
- A small vintage handbag
- Minimal jewellery
How to wear it
Keep the clothes beneath your coat fairly straightforward. Cream flares and a fitted jumper create a lovely, clean silhouette, while the coat supplies the drama. Look for a jacket with a proper collar, defined waist or some tailoring through the body. If you’re searching second hand, try terms such as 70s fur trim coat, vintage faux fur collar jacket and Penny Lane style coat. Not every fur trimmed coat is technically a Penny Lane coat, but the styles share that wonderful contrast between practical outerwear and something considerably more glamorous.
Beauty finishing touch: Straight, slightly undone blonde hair, a full fringe and softly defined eyes.
Outfit 3: The Rock Chick Date Night Look, 1969
Perfect for: Dinner, drinks, a gig or an evening when your usual jeans feel a bit boring.
The original outfit
Anita was photographed with Keith Richards in Rome in 1969 wearing a striking patterned jacket, a soft blouse and shiny trousers. Her jacket appears to have a snakeskin style pattern, while the trousers catch the light beautifully. It’s a fabulous combination of sharp tailoring, fluid fabric and a slightly decadent finish. And despite the rather dramatic ingredients, the silhouette itself is perfectly wearable.
The outfit recipe
- Black satin, velvet or subtly metallic flared trousers
- A cream blouse with a neck tie or ruffled front
- A snakeskin patterned or jacquard jacket
- A wide leather belt
- Black heeled ankle boots
- A pendant necklace or vintage rings
How to wear it
Choose one statement pattern and let everything else support it.If you’re wearing a printed jacket, keep the trousers plain. Black satin or velvet provides plenty of interest without competing. A cream blouse softens the outfit, particularly if you leave the neck slightly open or tie a scarf loosely. Finish with heeled boots and a small vintage bag. I’d avoid adding too many accessories here. The jacket already has quite a lot to say.
Beauty finishing touch: Dark eyeliner, a little charcoal shadow and tousled hair.
Outfit 4: The Glamorous 1972 Evening Look
Perfect for: Parties, evening events, festive celebrations or a particularly fabulous night out.
The original outfit
A photograph reproduced by Vogue Germany shows Anita with Keith Richards in London in 1972. She’s wearing a satin jumpsuit, an extravagant fur jacket, a glittering headpiece and a necklace shaped like a snake. Very subtle, Anita. It’s an excellent example of the more decadent side of early 1970s fashion. Her clothes combine flowing satin with plush texture and shimmering accessories. Rather than relying on a conventional evening dress, she’s created an outfit that feels altogether more interesting.
The outfit recipe
- A satin jumpsuit or matching satin top and trousers
- A cream vintage faux fur jacket or stole
- A sparkling vintage cap or embellished hair accessory
- A long pendant or snake inspired necklace
- Metallic or black heeled shoes
- A small clutch bag
How to wear it
Choose a jumpsuit with a fluid leg and a softly fitted waist. Champagne, bronze, chocolate and black would all work beautifully. For something a little less extravagant, wear satin trousers with a silky camisole and a short faux fur jacket. Add one interesting piece of jewellery rather than several competing necklaces. The headpiece is optional, although I’d argue this is exactly the sort of outfit that deserves one.
Beauty finishing touch: Smoky eyes, glossy lips and softly tousled hair with a little volume at the crown.
Outfit 5: The Bohemian Summer Party Look, 1972
Perfect for: Summer parties, holidays, garden gatherings and relaxed evening celebrations
The original outfit
n photographs from Mick and Bianca Jagger’s wedding celebrations in Saint Tropez in May 1971, Anita appears in a flowing white kaftan style dress. With its generous sleeves, loose silhouette and soft fabric, the outfit feels quite different from her velvet trousers and extravagant coats. She’s also pictured wearing metallic sandals, which add just enough shine. What I particularly like about this outfit is its simplicity. The dress has plenty of fabric and movement, but there aren’t masses of accessories competing for attention.
The outfit recipe
- A long cream or ivory kaftan dress
- Wide, flowing sleeves
- Flat silver or gold sandals
- A delicate pendant or small necklace
- A simple vintage shoulder bag
- Loose, natural hair
How to wear it
Look for lightweight cotton, viscose or silk blends that move beautifully without clinging. A softly shaped neckline and generous sleeves will give you a similar silhouette. Metallic sandals are a lovely finishing touch, particularly for summer evenings. If you’re wearing this to a wedding, I’d suggest choosing sage green, muted peach, dusty rose or another colour instead of white. You can keep Anita’s flowing shape without borrowing the bride’s colour.
Beauty finishing touch: A little mascara, softly defined eyes, natural lips and loose hair.
Anita Pallenberg makeup: Smudged Eyes and a Natural Looking Complexion
Anita’s beauty look was closely connected to the changing makeup fashions of the late 1960s and early 1970s. In photographs from the late 1960s, her eyes are frequently the main focus. Dark liner, softly smoky shadow and plenty of definition around the lashes create that slightly mysterious expression.
Her complexion generally appears more understated, particularly when compared with the heavily stylised makeup worn by some other 1960s fashion icons. The overall impression is rather relaxed. For a modern version, I’d focus on the eyes, use a light base and keep everything else fairly soft.
How to Recreate Anita Pallenberg’s Makeup Step by Step
- Prepare your skin. Apply moisturiser followed by a lightweight foundation or skin tint. You want your natural skin texture to remain visible.
- Conceal where needed. Add a little concealer beneath the eyes and around the nose, rather than building up a very heavy base.
- Keep the cheeks subtle. Sweep on a muted peach or rose blush. A tiny amount of matte bronzer beneath the cheekbones can provide gentle definition.
- Shape the brows naturally. Brush them into place and fill any gaps lightly. Avoid making them excessively sharp or heavily sculpted.
- Apply a neutral eyeshadow. Use beige or taupe across the lids as a base.
- Add soft smoky definition. Blend brown or charcoal shadow around the outer corners and into the crease. Keep the edges soft.
- Line the upper lashes. Use a black or dark brown pencil, working close to the lashes rather than drawing a perfectly crisp line.
- Smudge the lower lash line. Apply a small amount of pencil along the outer lower lashes and blend gently with a small brush. Keep the product away from the inner eye if it causes irritation.
- Apply mascara. Concentrate on the upper lashes, adding a light coat to the lower lashes if you like.
- Finish with understated lips. Try a muted pink, beige rose or peachy nude lipstick with a satin finish.
The trick is to avoid making everything look too precise. Anita’s photographs often show beautifully defined eyes without the sharp edges we associate with more modern makeup styles. For evenings, add a little more black shadow and deepen the outer corners. For daytime, simply use brown eyeliner and mascara.
A Little Beauty Tip
If you want to recreate the mood of her late 1960s photographs, keep your blush and lipstick quieter than your eye makeup. A full smoky eye, dark sculpted brows, heavy contour and very strong lipstick can easily become a much more modern look.Sometimes the smallest details make the biggest difference.
Anita Pallenberg Hair: The Blonde Fringe and Shaggy Bob
Anita’s hair is one of the most recognisable parts of her appearance. Across the 1960s and 1970s, she wore several variations of blonde, fringe led hairstyles. Some photographs show a relatively neat bob, while others feature longer, slightly layered hair with more movement. One thing remains fairly consistent: her hairstyle rarely looks overly set or lacquered into place. Instead, there’s softness around the face, movement through the ends and a fringe that frequently sits close to her eyes. It’s a lovely option if you enjoy vintage hairstyles but don’t particularly fancy spending every morning with a full set of rollers.
What to Ask Your Hairdresser For
Take a few photographs of Anita to your appointment, preferably showing the particular period you’d like to recreate. Ask for:
- A softly shaped bob or shoulder length cut
- A full fringe that sits around eyebrow level, adjusted to suit your hair and eye shape
- Gentle layers through the ends to create movement
- Soft shaping around the cheekbones
- A slightly rounded silhouette rather than a very severe, blunt cut
- Enough length to tuck the sides behind your ears
- A cut that works with your natural hair texture
For a late 1960s Anita look, choose a shorter, fuller bob with a more substantial fringe.
For an early 1970s Anita look, keep the hair around shoulder length with slightly softer layers and a more relaxed finish.
If your hair is naturally fine, ask your stylist to preserve enough weight through the ends rather than adding too many layers.
How to Style Anita Pallenberg Hair Step by Step
- Start with freshly washed or slightly damp hair. Apply a lightweight volumising mousse if your hair needs some body.
- Create your fringe. Blow dry it forwards using a flat brush, gently directing the hair from side to side to help prevent an unwanted parting.
- Dry the lengths loosely. Use a medium round brush to add movement without creating a heavily curled finish.
- Encourage a little bend. Roll the ends slightly under with your brush, or use a large barrel styling tool to create loose bends through the mid lengths.
- Add volume at the crown. Lift small sections at the roots with your fingers. A little dry shampoo or texture powder can help if needed.
- Separate the layers. Use your fingers to loosen the hairstyle so that the sections don’t sit too uniformly.
- Soften the fringe. Let it fall naturally across your forehead rather than arranging every strand into place.
- Finish with a tiny amount of texture spray. Keep hairspray light so the style still moves.
And there you have it. A hairstyle that doesn’t require everything to be perfectly symmetrical.
Do you Need Blonde Hair?
Absolutely not. Although Anita is closely associated with blonde hair and a heavy fringe, the cut can work beautifully in brunette, auburn, black, grey or any other colour of the rainbow. If you’d like a blonde shade inspired by her photographs, consider a soft golden or beige blonde rather than assuming one particular shade is correct across every photograph. Lighting, film stock and the age of archival images can make her hair colour look quite different.
How to Make Anita Pallenberg’s Style Work Now
One of the nicest things about Anita’s wardrobe is how easily individual pieces can be incorporated into modern outfits. You don’t need to dress entirely in 1970s clothing to borrow from her style. In fact, I’d argue that mixing vintage and modern pieces is probably closer to her approach than wearing a completely coordinated period outfit.
Start With One Interesting Piece
A dramatic coat, vintage printed jacket or pair of velvet trousers is a perfectly good starting point. Wear it with pieces you already own. A fur trimmed jacket over jeans and a fine knit can look wonderful. So can a romantic blouse tucked into modern tailored trousers.
Mix Your Textures
This is where Anita’s wardrobe becomes particularly useful as inspiration. Try combinations such as velvet with cotton, suede with silk, or chunky knitwear with satin. You can create a surprisingly interesting outfit using fairly ordinary colours simply by varying the fabrics.
Keep Your Colour Palette Warm
Chocolate brown, cream, mustard, tobacco, camel and black all work well together. These shades also make it easier to build a wardrobe where pieces can be worn in several different combinations. Personally, I’d start with cream, brown and one accent colour, perhaps rust or ochre. Then add something patterned when you fancy it.
Don’t Buy Everything at Once
Vintage dressing is much more enjoyable when you discover things gradually. Look for unusual jackets, good quality knitwear and accessories in charity shops, vintage fairs and second hand marketplaces. And try not to get too caught up in finding an exact reproduction. A slightly different jacket or an unexpected colour combination might give you an outfit that feels much more personal.
Why Anita’s Coats Are Suddenly Everywhere Again in 2026
If you’ve been admiring the return of the Penny Lane coat, you’re not imagining things. For autumn 2026, dramatic outerwear with faux fur collars, plush trims and vintage inspired silhouettes is attracting renewed attention. Fashion publications including Who What Wear have highlighted fur trimmed opera coats and faux fur pieces amongst the season’s key trends, while retailers are offering new interpretations of the classic 1970s look.
There’s an important little bit of fashion history here, though. The name Penny Lane coat comes from Kate Hudson’s character in the 2000 film Almost Famous. Her famous coat helped revive the style, but the wider tradition of decorative fur trimmed outerwear dates back much further. Anita Pallenberg was wearing spectacular coats decades before that film appeared.
For a modern interpretation, look for three particular styles.
The Penny Lane coat: Usually a suede, leather or fabric coat with a generous fluffy collar, often with matching cuffs and edging. Brown and cream are particularly lovely.
The vintage faux fur coat: A shaggy or plush coat that gives a simple outfit plenty of character. Try one with dark denim and ankle boots.
The 70s fur trim coat: A tailored wool, suede or corduroy style with contrasting faux fur at the collar, cuffs or front opening. This is the closest option to Anita’s more structured outerwear.
If you’re planning Anita Pallenberg autumn outfits for 2026, I’d suggest beginning with a brown fur trimmed coat, cream flares and dark boots. It’s easy to wear, wonderfully warm and captures the spirit of her late 1960s wardrobe. You can find genuine vintage coats and modern faux fur alternatives second hand. Always check the lining, fastenings and fabric condition, particularly around the collar and sleeves.
A word on original vintage fur: many of Anita’s historical coats were real fur. Modern faux fur or second hand non fur alternatives let you recreate the silhouette without purchasing newly produced animal fur.
Three Easy Ways to Wear Anita’s Style Today
For everyday: Brown flared jeans, a ribbed jumper, a vintage belt and ankle boots.
For autumn: Cream trousers, a dark knit, a Penny Lane style coat and a small shoulder bag.
For evening: Black satin trousers, a romantic blouse, a patterned jacket and slightly smoky eyes.
All three capture different elements of her wardrobe without requiring you to dress like you’re attending a 1970s fancy dress party.
Final Thoughts
There’s a particular pleasure in looking through photographs of Anita Pallenberg. Her wardrobe offers so many little details to enjoy. A beautiful belt, an unexpectedly extravagant hat, velvet trousers worn with an ordinary jumper, or a fur trimmed coat thrown over a perfectly sensible pair of flares.
She had an extraordinary eye for putting clothes together, and her willingness to experiment helped shape the visual language of late 1960s and early 1970s rock fashion. But perhaps the most useful thing we can borrow from her style is the freedom to wear things differently. Mix the fabrics. Borrow the jacket. Wear your vintage blouse with modern jeans. Buy the fabulous hat even if you haven’t quite worked out where you’re going to wear it yet.
And don’t worry if your hair gets a little windswept along the way. For me, Anita’s most interesting outfits are often the ones where something looks slightly unexpected. After all, a wardrobe should be enjoyed.
Brilliantly researched and executed. Am especially TOTALLY addicted to your vintage 1940’s, 50’s, 60’s etc lingerie blogs! Love them ❤️